Finally, you’ll be able to apply fade-in transitions to LUTs and use adjustments for brightness, contrast, gamma, temperature, and saturation values. On top of that, it’s now possible to view color scopes and histograms for each separate scene or object.
In other words, if you need to perform correction of several different color tones, there’s no need to use the same histogram – you can create a separate stage for each tone, which is way more convenient. At each stage, you’ll be able to define a scope of color tones you’re working with and set the desired Hue, Saturation, and Lightness values for them. The LUT editor has become more versatile, as it now allows for performing color correction of the same object in stages. For example, you can quickly change cool color tones to warm color tones, create color inversion, and so on. In many scenarios, the purpose of the Color Twist effect is similar to the LUT editor – however, the former option will be much easier to use for basic tasks. As the name suggests, it allows you to adjust colors in the footage by working directly with the GRB color channels and changing tone values for each component. The Color twist effect from the Adjustments menu has been updated and included in the Basic effects window for easier access. On top of that, you can work with the background and foreground ‘layers’ which adds depth to the effect. As you would expect, the effect is fully customizable: you’ll be able to decide whether you want it to consist of alphabet letters or runes how frequently the symbols should be changing, and how fast they should be falling. The Matrix video effect has become available in the list of Special FX so that now you can replicate the raining code from the famous movie trilogy.
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